Web, Photography & Digital Art
My photo of another interesting graffiti on a Venice street wall
‘La patria sarà quando tutti saremo stranieri‘
literally:
‘There’ll be a homeland only when we’re all foreigners.‘
A paradox that overturns the traditional idea of homeland: not an identity that excludes, but a condition that includes.
Only when no one is “at home” can we all feel at home.
Is it utopia, or simply a definition still ahead of its time?
I made this set of (almost) black and white sketches using one of my personal styles developed on Midjourney.
I like them. It is not only about dancers but also about frozen movements in a moment of grace and black-and-white contrast: they speak of passion, raw energy, precision and elegance. And why not, freedom.
Pity I have not a single space left on my walls 😀
How did I come to face such a feat?
First of all, for fun: I love making websites, that’s it. I had just completed a serious, demanding, challenging website – a historical archive – and needed to do something relaxing to rinse my brain… OK, that’s the truth, but not the whole truth: there was also a bit of commercial interest behind my resolution.
… disguised as a buyer, in order to find out why I was selling so little on them – well, I actually did sell something there, but not enough to deserve any serious time or toil. I focused on the most obvious form of POD: the art that one hangs on the wall.
would I buy anything that expensive myself? Definitely not! Unless perhaps in case of love at first sight, but that seldom happens.
Greed may certainly play a role in setting those high prices, but there must be something more to it. Let’s give it a thought:
First question: why should one buy a framed work of art somewhere halfway around the world and pay the outrageous shipping costs, when the bare printout would travel much cheaper and faster in a cardboard tube?
Then all it would take is a walk to the do-it-yourself shop around the corner to have it framed according to one’s taste, in a self-chosen frame, maybe also with a sheet of real glass (rather than those horrible acrylic substitutes that would survive the shipping). Which would save about 3/4 of the total cost.
But that’s not all.
Second question(s):
who prints the work of art you choose, and on what paper, and what kind of printer do they use? Most of the times the colors you see on your monitor don’t look very much like those you see printed on paper. Who checks the color rendition? And the diffusion effect? And the overall quality of the finished work?
of course the POD website gets the lion’s share, but also the printers must have their slice of the pie, and the packagers, and the shipment company… what’s left for the author is but laughable pocket change 🙁
Which encouraged briefly the sneaky temptation to bypass at least the POD sites and go directly to those sites that offer printing&shipment as a service… but alas, nothing doing: unguaranteed printing quality, long or very long processing times (up to 2 weeks!)… better forget it.
All of the above looks pretty disheartening, but I’m stubborn: my glorious printer can handle up to A3+ paper sheets (13” x 19”), quite a respectable size for a picture on the wall. A high-quality printing on it takes a mere couple of minutes of my time. I’m free to choose the best possible paper with the right grammage, texture and consistency. I have an encouraging constant number of visitors who show up in my websites, thus there’s no need for advertising…
So why not?
If it works, fine. And if it doesn’t, at least I learnt something new and had my fun 🙂
As a matter of fact I already had a lot of fun thinking of what would fit best on a wall and devising the proper mockup images to convey the mood to my visitors – here too MidJourney, adequately flogged and directed, proved to be a great limitless resource.
Death and taxes are notoriously inevitable, and in this case the taxes were the belle of the ball: I had to comply with the EU legislation on VAT applied to member states, which makes a sharp distinction between digital goods (images made of impalpable bits) and tangible objects (images printed on palpable paper), thus taxing them slightly differently – bureaucrats love to wallow in such byzantine subtleties. Fortunately enough I have several websites, so I can place the impalpable stuff on one of them and the palpable stuff on another.
While I was at it I also designed a couple of sets of author-signed tarots to be printed on demand. It posed some challenges such as finding out the proper paper, learning how to laminate it, improvising a device to cut them out precisely by hand and round up the corners comme il faut, finding the right boxes to dress them up appropriately for their travel to the customer… live and learn 🙂
Have a look at them – you’ll find an (almost) classical deck as well as a retro-steampunk one with a pinch of humor scattered here and there – the latter, I confess, being definitely my favorite 😀
reposted
It has been quite challenging to produce (with the help of Midjourney) some spectacular and dramatic imagery inspired by the Inferno of Dante’s Divina Commedia.
Dante’s Inferno is a fascinating journey through the nine circles of Hell. This journey isn’t just for kicks; it’s about confronting the consequences of sin and understanding the need for repentance to reach salvation.
Dante places there historical figures and contemporaries, passing judgment on their deeds and misdeeds. It’s a personal and political elegant revenge, wrapped up in an epic narrative. Very cool of him.
From an aesthetic standpoint, the Inferno challenges and expands the boundaries of medieval imagination, blending horror and despair with complex allegories, making it a timeless piece that speaks of the eternal complexities of ethics.
You’ll find my images here.
I enjoyed this Midjourney’s ride, I hope you will too 🙂
preamble: a professional photographer asked me some hints to sell stock images. I answered her privately. Then I thought that a slightly fleshed-up version of it might also deserve a little corner on my blog.
For decades now I’ve been looking for some magic formula to sell good pictures on the web, and if I had run into an effective one I wouldn’t hesitate to pass it to you. But, alas, that seems fated to stay a dream.
Then let’s put aside the dreams and face today’s reality, so that we can realistically adjust our targets and methods to it, thus sparing us the worst disappointments:
1 – nowadays (and for quite some time) just everyone is a photographer – or believes firmly that she or he is one, even if all they do is tap the screen and upload the picture. What they lack in skills is amply offset by the hi-tech electronics inside the chatter can.
2 – most of the audience – the buying audience – don’t appear very interested in the quality of the images they purchase. I sold at a comparatively high price and/or in impressive quantities pictures that, if not totally dull, were nothing exceptional, whereas a number of really beautiful ones are still there awaiting their first buyer.
An example?
This image is one of my bestsellers at Adobe with 280 sales until now (from .38 to 26.40 USD each) and keep selling. I am the first to admit that it is nothing special, even if the composition and the content is good.
3 – There seems to be no rationale for the criteria they use to choose which images to purchase – or if there’s one I failed to see it in the last 16 years.
4 – Whoever buys the images prefers the big agencies over the small individual seller, no matter the price, the quality or the professionalism of the agency, as long as it has a name big enough. Possibly (just a wild guess of mine) for they pay out of their client’s pocket, not of their own.
And still, despite such a bleak scenario, I keep making decent money by selling images on the web. How?
In the first place I put in the freezer my ambition to make money by selling art: for my most beautiful pictures I have a couple of private websites that produce a few sales and a lot of satisfaction.
Then I discarded the smallest agencies. Why? Let me explain: I think that Dreamstime is a quite fair agency, but it takes me 2 years to make the same amount I achieve in less than a week by Adobe. Moreover, I would be competing against myself.
Actually I’m selling pretty well at Alamy (the best for me), Adobe and Istock. I obviously discarded Shutterstock, leaving there (in my still open account) only a toilet paper still life.
As for the small agencies, I deleted most of my images there but left my account open: should the situation change I might reconsider coming back again. Except for the ones I really dislike: by them I deleted everything and disappeared in a puff of smoke (a name? Wirestock).
With this tactical approach I saw my income soar… well not enormously but significantly.
And I began listening to the old saying “when you go fishing put a worm on the hook: it’s the fish that must like it, not you” and uploading to the agencies mostly nice but quite ordinary pictures, the kind ordinary people would like and buy.
I hope this helps you rather than discourage you…
This is my first attempt to make video with AI.
WOW! I tested RUNWAY (for now just the free version), starting on some Midjourney images of mine and doing my best to add some simple movement. Just for fun (the last famous words… 🙂 ).
The results look pretty promising, – at least to me – although the free version doesn’t allow movies longer than a few seconds.
Here I used this image 
and a quite generic prompt “(scuba floating gently away under water with fishes)”.
And here… voilà Charon’s boat stuck in a hellish cave while the souls of the dead are waiting…
It was quite cool to recreate with Midjourney a Krampus night 🙂
It’s a big hairy creature, a blend of beast and human, with horns, a long pointed tongue, fangs, and a very convincing devilish look. The roots of the tradition date to an unspecified pre-christian era, from the European alpine regions.
Several centuries back the heathen Krampus folklore was engulfed into the Christmas tradition as a dark counterpart to St. Nicholas, to remind (mostly the children, but not only) of the possible effects of being naughty rather than nice.
Dozens of such ominous half-goat, half-demon creatures roam the streets during the Christmas season (5th-6th December) rattling chains and bells to warn or punish those who haven’t behaved properly (actually all the bystanders, not a bad assumption 😉 ).
The Krampus parade annual event is really a spine-chilling and oddly fascinating show: it takes more than a while to realize that inside those sinister figures there are playful men that every now and then stop and take off their demonic horned heads to drink a beer or play with absolutely delighted children.
Have a look at my AI & I collection and enjoy the gothic artistic side of the Krampus depicted by flogging MidJourney long enough.
13 beautifully suggestive images – occasionally with a hint of humor,
If you want to have a look at the real side of the ‘Krampusses’ – to balance the macabre with the fun – just look at my editorial images of the “backstage” of the annual Krampus Run in Munich These are 100% real, live, no AI involved.
The participants take their Krampus get-ups very seriously and spend a lot of money throughout the year to bring the evilness of their creation to perfection: elaborated barbaric fur outfits, heavy artistically carved wooden masks, monstrous horns, long lolling tongues – and more, much more. It’s a great experience to watch those big friendly guys happy even if exhausted by the fatigue of wearing those incredibly heavy costumes, graciously posing for a selfie and accepting kindly the curiosity of the viewers.
As in so many other occurrences, here too the AI complements admirably a professionally used camera, the one siding with fiction, the other with reality. The conflict is so often in the eye of the beholder…
Visual Journey, embracing Flexibility and Strength in the Golden Years
A new collection at Gameover’s Atelier exploring per images the benefits of physical activity for seniors:
Improved Flexibility
Enhanced Strength & Muscle Tone
Better Posture & Balance
Increased Bone Density
Boost in Cognitive Functions
Portraits created using advanced artificial intelligence algorithms privately generated, intensively post-processed by (human 😉 ) hand and upscaled without losing resolution.
The new version 5.2 of Midjourney:
you can really tell a story now, with the introduction of the “zoom out” option and mixing it with the new “variation strong”.
My first attempt so far…
Indiana Jones close up
then zoom out: Indy is on a boat in danger
good, I want now a strong variation of the character on the same environment without zooming out
much better! now zoom out again
I like it! now another variation
now zoom out again introducing a bit of moonlight and Indy running away
…zoom out mooore!
Isn’t it beautiful?
Absolutely entertaining ;-D
Behold the exquisite allure of Flamenco dance captured through a collection of eight splendid images, now proudly included in my AI & I collection as a result of an effective collaboration between Midjourney 5.1 and me.
I found it quite challenging to pass on to Midjourney the vision I had in mind, but the outcomes were mesmerizing.
Then I devoted myself to a long and painstaking postprocessing to summon the enchantment, the frantic dynamics and the atmosphere that would permeate each and every image.
So pleased was I that I ask chatGPT for a poetic praise of the Flamenco the way Garcia Lorca would have written it. I liked it a lot 😀
En la tierra andaluza,
se escucha el sonido
del taconeo ardiente,
del zapateo encendido.
Es el baile flamenco,
la pasión hecha arte,
la emoción en movimiento,
el corazón que late.
Con vestidos de colores,
y mantones al viento,
las mujeres bailan,
con gracia y sentimiento.
Los hombres tocan la guitarra,
con maestría y pasión,
creando música que alienta,
la danza de corazón.
Y en el aire se siente,
el duende que hace vibrar,
esa danza que es poesía,
y que hace el alma soñar.
¡Olé! El flamenco es vida,
es el alma de España,
es el fuego que nos quema,
y la pasión que nos llama.
(Federico Garcia GPT 😀 )
