Visual Journey, embracing Flexibility and Strength in the Golden Years
A new collection at Gameover’s Atelier exploring per images the benefits of physical activity for seniors:
Improved Flexibility
Enhanced Strength & Muscle Tone
Better Posture & Balance
Increased Bone Density
Boost in Cognitive Functions
Portraits created using advanced artificial intelligence algorithms privately generated, intensively post-processed by (human š ) hand and upscaled without losing resolution.
Uncategorized
Midjourney 5.2 tells stories!
The new version 5.2 of Midjourney:
you can really tell a story now, with the introduction of the “zoom out” option and mixing it with the new “variation strong”.
My first attempt so far…
Indiana Jones close up

then zoom out: Indy is on a boat in danger

good, I want now a strong variation of the character on the same environment without zooming out

much better! now zoom out again

I like it! now another variation

now zoom out again introducing a bit of moonlight and Indy running away

…zoom out mooore!

Isn’t it beautiful?
Absolutely entertaining ;-D
AI & I Lifestyle Portraits
Yes, Iāll admit that I felt a cold chill down my spine.
Iām pretty familiar with the ways of neural networks and as such Iām well aware that these portraits donāt depict any real person. No, they are artificially generated after processing zillions of human pictures to build up millions of āconceptsā about the way a human face should possibly look, and then by combining those concepts into always different images of non-existent people apparently having an own marked identity and personality.
But something within me wouldnāt listen to reason: they looked so incredibly real⦠thus in order to stifle once and for all that nasty inner voice I fed google with a number of them and asked it to look for similar ones online.
And⦠no match, nothing, zilch: those people simply donāt exist and never did. Period.
Which leads to a reflection:
according to the naysayers using an AI to generate images would infringe someoneās copyright, and using those images would be āstealingā other peopleās work.
Yet applying such gut feeling⦠opps, āreasoningā to those AI-generated human portraits doesnāt look terribly realistic: thereās no style to be stolen (not to mention that a style cannot be copyrighted), and no one could ever claim that their facial features have been used without their consent. Whoās rights are being infringed?
I agree, itās understandable that lifestyle photographers and models may fear for the continuity of their job, not unlike the draftsmen when the first Autocad was released decades ago; but the disappearance of the drafting board didnāt kill their profession, it just moved it one notch up. For professionals flexible enough the new tools wonāt be the gibbetās trapdoor, theyāll be a door open on plenty of new unexplored ways to express their creativity.
Prompt & postprocessing
It should also be remembered (for those who forgot it) that getting decent AI-generated images is not just a matter of snapping fingers or pushing a button, in the same way as taking a decent photograph is not just a matter of tapping the smartphone and uploading the pic to Shutterstock
Issuing the right prompt entails more than a pinch of ingenuity, experience and creativity, and getting the image the way you like needs a good deal of patient experimentation and very accurate postprocessing, just like a real photograph.
Speaking of postprocessing, let me tell you about a curious aspect of it: it isnāt just a matter of conferring a particular flair, light and atmosphere to the AI-generated images. While inspecting my images at 100% after upscaling, I was disappointed noticing that they looked like illustrations rather than as real pictures. To fix that I had to contrive a not-so-simple Photoshop action that took good care of the inconvenience, and now Iām satisfied.
The portrait collection
Hope youāll like my AI & I āportraitsā.
I went for spontaneity and simplicity, no extreme fashion or makeup, just people like you and me and the ones we see while shopping.
Oh, I nearly fell desperately in love with the gentleman with silver beard and hair (in the lower right corner of the collage above). I took a dozen AI-snapshots of him, selected the best ones for you and kept the rest to myself. My husband is getting a little jealous and I think heās growing a beard⦠š
AI: friend or foe? (4 of 5)
previous parts:
A very brief history of art: In the beginningā¦
A very brief history of art: growing up
A very brief history of art: today
A very brief history of art: fight them or join them?
Yes, but how long will it last?
Hard to say: only six months ago one would have guffawed at the notion of a computer producing original creative images virtually indistinguishable from the ones made by a skilled artist. Now on that same notion we are crying aloud.
A machine has no soul but, if properly āeducatedā, it seems to be able to emulate pretty well one; by scanning thousands of human-made works it sort of ādeducesā what pleases us and imitates it plausibly enough. How long can take it to learn and imitate credibly also our newly found āhuman-onlyā jobs?
That depends on the job, of course. Letās be honest: when we paint, draw, write, sculpt or do anything else that we regard as human-only, we too use plenty of ready-made patterns weāre accustomed to ā color combinations, common shapes, set phrases, easily detectable rules or identifiable styles⦠in the end only a small part of our work is really ours, all the rest is out-of-the-can.
Itās the way we assemble the out-of-the-can elements and merge them with our own ideas that makes the outcome unique.
Now, the AI has no ideas of its own; the originality of its work comes only from the input words we feed it with, most likely a little stirred by a random algorithm to prevent the machine from churning out identical outcomes from identical inputs.
Sadly enough though the same goes also for quite a number of people of flesh and bones: how many times did you hear āMan, heās so predictableā¦ā? How many people speak mostly (or only) in clichĆ©s? How many get their ideas, opinions, even beliefs mostly (or even only) from the community they live in, or from their favorite social?
Iām afraid that those people will be perfectly satisfied with the outcomes of an AI, no matter if itās made only of out-of-the-can elements and a pinch of random.
Want a novel? Just enter
āboy meets girl ā parents oppose ā girl runs away ā boy follows her ā rival appears ā boy beats rival ā happy ever after ā Sugar Kissy styleā,
upload it to www.romanticker.com *) and download a 300 pages bestseller that all the āpredictablesā will buy eagerly. Just donāt tell them itās AI-made, their social might not approve of it š
**)*) donāt try it, it doesnāt exist ā yet.
**) image created with Midjourney and made swooning enough with postprocessing, not based on real persons.
next part:
A very brief history of art (5 of 5): where will it end?
AI: friend or foe? (3 of 5)
previous parts:
A very brief history of art: In the beginningā¦
A very brief history of art: growing up
A very brief history of art: today
Now, half a century later, weād feel naked and exposed without a laptop, a tablet, a smartphone, a smart toothbrush, an intelligent burglar alarm ā and of course, running on them, software and firmware enough to smooth down any tiny fold in the fabric of our lives. And weāre still muttering.
OK, itās very human to welcome the good with a nonchalant shrug (āAltana, scratch my back and get me a martini!ā) and to reject the bad with disdainful contempt (āthat bloody thing is eavesdropping on us all the time!ā).
Itās perhaps less human but more honest to acknowledge that good and bad are two inseparable sides of the same coin: you want an electronic contraption to listen to all your whims but not to listen to what it shouldnāt? Oh, come on, every housemaid would do it!
What can we do to stop this wicked process before it swallows us all alive?
Bluntly and mercilessly, nothing.
Many tried to but no one succeeded so far: you may kill a man but not an idea, or a concept, or a piece of knowledge. The Holy Inquisition tried hard to gag Galileo for his heretic point of view about the universe, but she couldnāt prevent other scholars from weighing the Holy Scriptures against tangible evidence. A skilled scientist invents a device to dissolve all the bureaucrats in a puff of smoke (if only⦠š ); you may imprison him, even hang him, but youāll never be sure that another one wonāt come up with the same idea the next day.

Still perhaps we can do something to avoid being swallowed alive.
If you canāt fight them, join themā¦
thatās to say, while we reluctantly accept that a machine steals our job (we donāt seem to have much choice anyway) and acknowledge with poorly concealed envy that its work is sometime even better than ours, we can take advantage of it and meanwhile keep looking for something that the machine cannot do ā metaphorically speaking, stop trying to make round vases and start decorating the machine-made ones with pictures that talk to the soul – whatever this word may mean. To the human soul, something a machine does not have. Invent a new job that only a human can do.
next part:
A very brief history of art (4 of 5): fight them or join them?
AI: friend or foe? (2 of 5)
previous part:
A very brief history of art: In the beginningā¦
A very brief history of art: growing up
About six centuries ago an irresponsible Johannes Gutenberg invented the movable type printing, thus depriving thousands of guileless monks of the job they had devoted their entire life to. The catastrophe spread like wildfire: holy and less holy pieces of literature escaped the watchful hands of the Church and started spreading around information, concepts and ideas that bishops and kings would rather have kept confidential, thus pulling the cork off the Renaissanceā¦
Just imagine all those monks and abbots groaning and moaning about the death of the art of calligraphy and as such of the literature as they knew itā¦
yet surprisingly enough Gutenbergās felony didnāt kill the literature at all; it just stripped off its aura of holy and arcane and focused it more on the contents than on the form.
In the following centuries the worries raised by scientific and technological progress intensified exponentially: chemistry stole the work from alchemists, medicine from witch doctors and healers, the steam engine from horse breeders, physics and astronomy from theologians, the mechanical loom from weavers (remember the Luddites?), the internal combustion engine from the steam engine⦠the list could go on for quite a while.
Then after WWII the embers of a science that for a couple of centuries had been discreetly growing in the background without affecting much peopleās life, ignited the fuse and the situation exploded: new technologies started popping up like mushrooms, newer technologies replaced them in a matter of a few years (or even months), the world began changing at an impressive speed.
Believe it or not, still in 1962 a computer was a human being, most often a woman, who performed a set of boring repetitive calculation manually or sometimes with the help of a few rattling mechanical gadgets. Less than four years later a bloom of electronic computers ā bulky, clumsy, primitive but then regarded as lightning-fast ā was already spreading on the world markets and stealing the job from innumerable grudging accountants and bookkeepers.
And today’s world was born.
next part:
A very brief history of art (3 of 5): today
AI: friend or foe? (1 of 5)
A very brief history of art: In the beginningā¦
The following article is the result of a bloody fight between myself and a guy I married a few centuries ago. In the end we had to acknowledge that our points of view were virtually identical but neither of us wanted to admit it. So we reached a compromise: he wrote the article, I deleted the most politically incorrect remarks, he rewrote them in a milder form, I got a bunch of roses as an apology, he got a fine dinner. Occasionally marriage can be a great thing⦠š
Lately Iāve read a lot of posts wailing, grumbling and moaning about the latest developments of AI potentially stealing the job from all kind of artists. Some of them looked reasonably well-informed, others gave the impression of a strong emotional position not really supported by any actual experience or direct knowledge.
Be it as it may, I think they could be right: if things keep going the way they are, plenty of āartistsā will inevitably lose their jobs as soon as their customers learn how to order a piece of art directly at the source, a skilled and most likely way cheaper AI. Itās just a matter of time, but the trend looks pretty clear.
However this is not the first time such a tragedy occurs: about four millennia ago some ruthless guy invented the potterās wheel without giving a thought to the countless people his devilish invention would leave jobless: soon all those skilled artists capable of making a nicely round vase in less than a week saw their customers fade away and go buy for a ludicrously low price a perfectly round vase made in a quarter of an hour with the new gadget.
Still someone ā probably a jobless artist ā must have considered that the concept of āartā could not be constrained to the way a beautiful thing is made: it might as well extend to the feelings such a beautiful thing elicits in us humans. And he (or she) started decorating those outrageously round vases with paintings that survived all the way to us, beautiful pieces of art having very little to do with the roundness of the support.

Itās sort of suggestive that for several millennia the Greek word ĻĪĻνη (tĆ©chne) has ever meant āartā exactly in the sense we attach to this word today. Will that mean that in the course of time all arts are bound to get standardized and flattened into technology? I donāt know, Iām just thinking of another word, āartificialāā¦
Nor is this an isolated caseā¦
GRASP ALL, LOOSE ALL
Old proverbs contain plenty of ageless wisdom. If only people noticed this timelyā¦
Unfortunately though the top-level managers of the microstock agencies seem to be too busy to devote their valuable time to such menial thoughts. Rumors have it that sooner or later, while watching complacently the increasing revenues, a brilliant notion pops out between some rosy-cheeked executiveās ears: āWhy should we leave so much money in the hands of the morons that hand us their pictures? We have the market, we have zillions of well-selling images, we dictate the rules.ā
We all know where that leads: itās the so-called āShutterstock effectā. Curtail drastically the contributorsā shares, sell lots of images at bargain prices, give to the beggars their two cents, ignore the chorus of moans, anger and insults that raises from the rabble, see your income grow, shake hands with the colleagues, Iām a genius!
And then, after a few months, the backlash: many contributors feel cheated or even insulted and close their accounts, many more delete their best pictures leaving behind just crap a blind man wouldnāt buy, the incoming flow of images drops to a trickle, the buyers notice the drop in quality and go buy elsewhere, the income curve falls miserably (dammit, maybe with some Viagraā¦).
And eventually the friendly suggestion āyou better start looking for a new jobā. But then itās too late, the damage is done.
Sad as it is, now it appears to be Alamyās turn. In the last days, without warning or asking for an OK, they surprised the contributors world by selling off a large number of pictures for a few cents, and those who demanded an explanation whatsoever bumped their heads against a pretty long local holiday ā no one there to reply, what a coincidence!
One could hope that itās just a misunderstanding of sorts, perhaps a glitch in the software or a silly human error, but the symptoms are all too clear, and the suspicion that Alamy is shutterstocking is overwhelming.
Thatās quite a shock indeed: not long ago they still had a spotless reputation as an agency that cared for the contributorās satisfactions, paid reasonably fair shares, and provided good help when needed. More than a little demanding perhaps, if you think of the ordeal of keywording it adequately, but you cannot expect such a high-level agency to accept just any picture: they sell excellent quality and are entitled to demanding it.
They are my agency, we do a good job together⦠good old days? š
Where will all this end? Hard to say that without a top-grade crystal ball and some powerful psi powers. However, judging by the microstock market trend in the last couple of years, a reasonable modicum of pessimism would suggest that most of the major microstock agencies will slowly (or even not so slowly) collapse under the weight of their own greed.
The scenario we could expect in a near future might show us two or three large surviving microstock agencies selling mediocre images very cheap by the ton on behalf of countless grumbling but resigned private contributors, a few ad-supported artistic websites selling very little, the usual lot of websites offering as āwindows backgroundsā good images for free (but for personal use only).
And, with a bit of luck, a constellation of sites owned, managed and constantly fed by skilled photographers and graphic artists offering directly to the buyer very high quality images at a fair price, no bloodsucker share included.
If you want the best apples at a decent price, go knock directly at the farmerās doorā¦:-D
How to sell digital goods
Why did I migrate from Easy Digital Downloads to WooCommerce ?
I ‘m a webdesigner in love with digitalart. I’m still selling in a comfortable way my images (photos, illustrations, vintage stuff, 3D renderings) at micro-stock and stock agencies.
But my goal is to sell also by myself. As I can buildup websites, I launched AntikStock to sell a niche of mine: my illustrations restored and elaborated from the huge antique book collection of my property.
At a first glance Easy Digital Downloads (EDD) would really look the easy way to sell downloadable goods. But a rather disturbing (arithmetical!) issue (*) popping up changed my point of view and induced me to look seriously for alternatives and compare performances.
While comparing I found out that WooCommerce offers not only a quite solid E-commerce platform for virtual downloadable goods, but also much more interesting features free of charge.
A few examples: :
- to duplicate a product to sell with WooCommerce is free, on EDD you have to pay 29usd/year only for this simple feature!
- to comply with the EU VAT rules is free of charge, no way can EDD compete for free
- cross-sells and upsells are included, no need to pay for the corresponding EDD options anymore.
I could go on further, I would just add that I completed seamlessy my migration owning an elegant new shop with many more features totally free of charge and – the cherry on top – with a beautiful free image zoom.
(*) As you may know, selling digitally downloadable goods in EU imposes a set of pretty complicated rules made by bureaucrats for bureaucrats, but we can cope with them. EDD behaves okay at checkout time unless you introduce a discount. If you do that a sum of round-up errors appears in the VAT calculation; as quite surprisingly the net amount in this case is not shown, the error goes easily unnoticed – until a diligent official remarks such a few cents mismatch and then things are likely to turn interesting. Of course I reported it, but EDD didn’t seem to take the matter seriously.
