Just to recap my Websites

Online there are several websites of mine, each one with a specific purpose and leading theme, thus it’s pretty easy to get lost among them.
As my uncontrolled interests range farther than that, I think it’s a good idea to contrive a simple summary page like this:

Web-ankh [DE-IT]: is the site of my web services agency.

There are quite a lot of web services agencies out there, but I think I can offer also something more: in particular
– a thorough protection suite against web malware, inclusive of firewall, updating and frequent backups for just in case.
– plenty of experience about online shops to sell digital goods – comes in handy more often than you think.

Gameover’s Atelier AI & I: this site ( also reachable as Luisa Fumi Digital Art) reflects my unrestrained curiosity about AI-generated art.

I tested so many dedicated AI systems and I think that for the time being Midjourney is the best: not easy to prompt, sometimes sort of “moody” (laugh if you wish), but really unique as results.
Here I present the outcomes of my fights with Midjourney (only the ones I won 🙂 upsized and post-processed in a traditional way.
I’m enthralled by this experiment and keep having a lot of fun with them.

All the images are “ethical: they do not reference copyrighted characters, living artists, brands, or recognizable individuals.

To flesh out the site there are also a “Cover Art” section, a “mini-clips” page and a Print On Demand Gallery.

Professional photography: a site to show off my skills and my long extensive experience as photographer.

Mostly editorial and travel images from all around the world – untouched by AI hands 😊.
Hosted by Picfair, the site offers also a Print-on-demand service.

I’m thinking of expanding this site to more artistic stuff like exclusive cover art (a different taste from my corresponding AI covers). We’ll see.

Antikstock: last but definitely not least.
A rich collection of curated images (mostly engravings) from the past, all scanned from ancient books manically collected over a lifetime, all painstakingly restored from the damages of the centuries, all free from copyright issues (due to their venerable age).

I’m interested of images that speak to one another, forming complete visual worlds rather than disconnected fragments. Single images from the past, isolated from their context, often lose part of their meaning.

Working with historical imagery often means long research times, inconsistent quality, and stylistic mismatches.
Curated sets solve this by offering visual consistency, contextual coherence, and immediate usability:
press history, old magazine advertising, botanical art, medieval marine monsters, antique Egypt history and art… does it ring a bell?

And yes, I almost forgot it… there’s also my blog here.
I have a lot of fun writing it, hope you’ll enjoy reading it and commenting (unless you’re a troll – in which case you’ll be fed to our pirañas 😄).